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《b站全球最大影视库软件合集》在线观看HD中文字幕电影免费不卡日韩欧美视频
在南京郊外坟头村附近一座山里,有几块奇怪的巨石。据当地的乡亲们传说,这几块巨石是几百年前,一群工匠开凿出来的。碑石附近坟头村即是当时累死民工的合葬地。 巨石上至今还留着当年工匠们敲凿的痕迹,在那些巨石的底部,有许多贯穿的长方形孔洞,巨石由此与地面分离开了。看来,这些巨石不仅是被切凿成形,实际上,可能还要被整体运走。 考古专家发现,这些重达万吨的巨石是皇家手笔,是几百年前由明朝皇帝朱棣所下令开采的。朱棣为了父亲朱元璋,希望修建一座巨大的神功圣德碑,于是他在南京郊外的阳山采得巨石。但为何这些碑材后来却成了烂尾工程?
First observational and later hugely personal, Claire Simon’s film is an example of the sheer power of documentary cinema. With a gaze full of tenderness, she explores a gynaecological clinic in Paris to ascertain what it means to live in a female body.
Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France.  The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.

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